More like a scene from a movie, like when you see Eyes Wide Shut and you’re like, ‘Is this bad or good?’ I just wanted to illicit this strange feeling of no inhibitions.” “I’m not saying it’s bad, because it’s something I do also as well, indulging in alcohol and drugs sometimes. “I’m definitely not pointing the finger at it,” he responds, before we even finish the question. People party all day, every day, abuse drugs, go crazy…” It is set in a fictitious city called Xanadu where nothing is forbidden and everything is free. “An overall look at how we, as a species, lean towards self-destruction. “This album is about bad habits, dissatisfaction and addiction,” explains James. There’s even a moment in the song’s video where liquid spurts from inside a casino slot machine, like blood pouring from the Overlook Hotel elevators in Stanley Kubrick’s The Shining. Elsewhere, James’s long-time inspirations – 80s exploitation movies, slasher flicks and John Carpenter horror scores – loom over tracks like fiendish single Death Of A Soul. A world away from the over-saturated gleam of his earlier material, tracks such as Excess and The Other Place are seductively melancholic – an invitation into a mysterious and lawless corner of the dancefloor. Post-punk’s uneasy charm comes from its imperfections, and it’s that rawness that Lustful Sacraments taps into so effectively. That kind of works and it fits the vibe I was going for.” I realised there’s a lot of bands like Joy Division that just talk, so thought I could talk on the album and not have to do harmonies and be a good singer. So I thought, pardon my French, ‘Well, fuck me, I’m not going to be able to do it, I’m not going to be able to finish the album. “But I quickly noticed that after a bunch of failed attempts that I’m not a very good singer. “At first I wanted to sing on the album, like really sing,” he says. The album came together quickly in a matter of months, James laying down all the electronics and guitars at his home studio. But as Covid-19 hit in 2020, and France went into lockdown, he found himself with the time and head- space to get stuck in. I can make this sound good now and it’s not going to be clumsy.”Īlthough James started writing immediately after releasing New Model, he toured throughout 20, so three years passed without any recording. This is the album I always wanted to make in a way, but it was only in 2017 when I decided, ‘OK, now I am ready to make this album. ![]() “It involves more than synthesisers there’s a lot of guitars in the album and a lot of vocals. “This is something I always wanted to do, but I didn’t have the skills to do it,” he admits. But Lustful Sacraments feels like a natural fit – something that could be filed alongside other recent reimaginings of goth’s brooding past, like Grave Pleasures’ Motherblood and Mana by Unto Others (formerly Idle Hands). No one, least of all James, expected Perturbator’s brash brand of electronica to find a home in metal’s underground.
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